Strymon Dig
Price$299
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from Westlake Village, CA
Listed:over a month ago
Views:2608
Watchers:13
Westlake Village, CA, United States
About This Listing
Usually ships same business day! DELAY DOPPELGÄNGER.
DIG unearths the true soul of digital delay and doubles it—two simultaneous, integrated delays with the captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails all in a compact, pedalboard-friendly format.
BACK TO THE FUTURE. Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays yet to be heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever. Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG’s three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. Multiply these distinct voicings by two and get DIG—your perfect dual delay ally.About the Seller
Product Overview
The Strymon DIG Dual Digital Delay merges modern functionality with classic digital delays, featuring a master and companion delay that can work together or run independently. The DIG offers an adjustable Modulation Depth switch as well as three different digital delay modes, each emulating a famous rackmount digital delay unit: the adaptive delta modulation (ADM) mode of early 1980s units, the 12-bit pulse code modulation mode of mid-1980s units, and the 24-bit/96kHz resolution mode of modern units. Both delay voices share the Repeat knob, but each has its own Time and Mix knob, with the companion delay time able to be set either in free-running mode or in an adjustable ratio to the master delay. The delays can be set up in series, parallel, or ping-pong mode, which are accessible along with free-running mode as secondary functions. When combined with the true-bypass design, expression pedal input, mono/stereo outputs, and tap tempo footswitch, the DIG becomes a formidable tool for musicians who want to bring studio-quality digital delay to the stage.
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