Explore Space - Infinite permutations will lead you in new musical directions. Swell and modulate an infinite tail. Bend and warp a cavernous and beautiful space into oblivion. Architect and direct your mood with a precision tool
Features
Pro Audio Heritage in a Pedalboard Friendly Design
Handcrafted Algorithmic Reverbs
Analog Mix & Dry Signal Path
High & Low Frequency Damping
Extensive Modulation Capability
Auto Swell Envelope (variable and foot-switchable)
Stereo input and output
Switchable input output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Color – translucent coat of deep blue over brushed aluminum
Designed and built in Los Angeles, California U.S.A.
Specifications
Premium quality 24 bit A/D and D/A
32 Bit floating point DSP hardware
-115 dB Signal to Noise Ratio (typical)
Premium low noise Analog signal path throughout
Auto Swell Envelope (variable and foot-switchable)
Analog Devices JFET input circuitry
Wet/Dry signal mix occurs in the Analog domain
Selectable True Bypass (Relay) or Analog Buffered Bypass
Durable transparent blue powder coat over brushed aluminum
Inspired by the long decays and lush reverbs Vangelis used in composing the soundtrack to the 1982 sci-fi film Blade Runner, DSP designer Angelo Mazzocco created the Meris Mercury7. It features an analog mix and dry signal path, high and low frequency damping, handcrafted algorithmic reverbs, and extensive modulation capability. The auto swell envelope feature is variable and engaged by footswitch, and players can take advantage of the stereo ins/outs and the switchable input/output headroom level dependent on whether you're using it with your guitar, synth, or line level.
Explore Space - Infinite permutations will lead you in new musical directions. Swell and modulate an infinite tail. Bend and warp a cavernous and beautiful space into oblivion. Architect and direct your mood with a precision tool
Features
Pro Audio Heritage in a Pedalboard Friendly Design
Handcrafted Algorithmic Reverbs
Analog Mix & Dry Signal Path
High & Low Frequency Damping
Extensive Modulation Capability
Auto Swell Envelope (variable and foot-switchable)
Stereo input and output
Switchable input output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Color – translucent coat of deep blue over brushed aluminum
Designed and built in Los Angeles, California U.S.A.
Specifications
Premium quality 24 bit A/D and D/A
32 Bit floating point DSP hardware
-115 dB Signal to Noise Ratio (typical)
Premium low noise Analog signal path throughout
Auto Swell Envelope (variable and foot-switchable)
Analog Devices JFET input circuitry
Wet/Dry signal mix occurs in the Analog domain
Selectable True Bypass (Relay) or Analog Buffered Bypass
Durable transparent blue powder coat over brushed aluminum
Inspired by the long decays and lush reverbs Vangelis used in composing the soundtrack to the 1982 sci-fi film Blade Runner, DSP designer Angelo Mazzocco created the Meris Mercury7. It features an analog mix and dry signal path, high and low frequency damping, handcrafted algorithmic reverbs, and extensive modulation capability. The auto swell envelope feature is variable and engaged by footswitch, and players can take advantage of the stereo ins/outs and the switchable input/output headroom level dependent on whether you're using it with your guitar, synth, or line level.