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The wind gong is almost a flat circular plate, though has a slight slope from the middle of the gong to the edge. The wind gong is similar in sound to a chau gong, though the wind gong comes to its crash much faster and harder. When you tap a wind gong, you will get a deeper bass note than a similar sized chau gong. So, you can get a 28‚¬ wind gong for example, and get a similar level of bass as a larger chau gong. This is one benefit of the wind gong, to be able to get a low bass note in a smaller size. The bass note will reverberate as a soothing wave of vibration over you. If you hit the gong a little harder, the higher notes of the crash will start to come out fairly quickly. If you hit the gong hard, it will crash right away. The wind gong then is really good for people who are looking for either a low bass note, or working with the crash of the gong more quickly than you would be able to with a chau gong.
At 28‚¬ the wind gong has many of the same characteristics of a smaller wind gong, though now it begins to be low toned instrument even akin to a chau gong in depth of bass note, especially when using a soft mallet.
