sE Electronics V Pack Arena Drum Mic Bundle

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The V Pack ARENA The V Pack ARENA consists of one V KICK for your bass drum, three V BEATs and V CLAMPS for your toms, one V7 X for your snare, and a pair of sE8 condensers for your overheads. All mics and accessories come securely packaged inside a robust and distinctive plastic flight case, with an empty space included to accommodate your favorite hi-hat mic.

V KICK
The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone.

V BEAT
The V BEAT is the most compact drum microphone in its class, intended for use with snare or tom drums. Unlike the V7, which is optimized for vocals, the V BEAT features the same high-grade sonic performance as the V7 X. Tuned for instrumental use, it can also be used on sources such as electric guitar speaker cabinets or brass instruments.

V7 X
The sibling to the acclaimed vocal-oriented V7, the V7 X is a dynamic instrument microphone ideal for a broad range of instrumental applications - both in the studio and on stage. Its specialized capsule's innovative aluminum voice coil and brand new acoustic design are specifically tailored for full-bandwidth instrumental reinforcement & recording, with a perfect balance of detailed highs and deep, ultra-powerful lows, allowing for use on nearly any source from electric guitar cabinets to brass instruments, snare drums to choir, and many more.

sE8
Fit for any challenge in the studio or on stage, the sE8 is a brand new high-performance handcrafted small-diaphragm condenser, fresh from the labs at sE. Its new hand-made capsule implements a sophisticated backplate design that provides a perfectly balanced sound, so it's never harsh or aggressive - perfect for sources like high-hats and drum overheads. It's also one of the quietest small-capsule mics on the planet - and with the highest dynamic range and SPL handling in its class, along with attenuation pads and low-cut filters for superb flexibility, the sE8 is ready for any sounds you're making, whether in the studio environment or demanding on-stage applications.

Features
• Extremely compact and low profile microphones for easy placement and positioning
• Stainless spring steel mesh grille and all metal housing makes for superior durability
• Gold-plated XLR connector for loss-free and reliable signal connection
• Patented internal shock-mount efficiently decouples the capsule, allowing to eliminate vibration and minimize feedback
• Includes durable, roadworthy flight case with secure foam cutouts and additional spot for a hi-hat mic

What's Included
• (1) V Kick bass drum mic
• (3) V Beat tom mics
• (3) V Clamps
• (1) V7 X supercardioid for snare drum
• (2) sE8 condensers for overheads
• Roadworthy plastic flight case

Specifications
V Kick
Capsule: Dynamic
Voice Coil: Aluminum
Magnet: Neodymium
Directional Pattern: Supercardioid
Frequency range: 20 Hz - 19 kHz
Impedance: 300 Ohms
Sensitivity: 0.2 / 0.4 mV/Pa (-69 / -75 dBV)
Connectivity: 3-pin male XLR
V Beat
Capsule: Dynamic
Voice Coil: Aluminum
Magnet: Neodymium
Directional Pattern: Supercardioid
Frequency range: 30 Hz - 19 kHz
Impedance: 300 Ohms
Sensitivity: 2.0 mV/Pa (-54 dBV)
Connectivity: 3-pin male XLR
V7 X
Capsule: Dynamic
Voice Coil: Aluminum
Magnet: Neodymium
Directional Pattern: Supercardioid
Frequency range: 30 Hz - 19 kHz
Impedance: 300 Ohms
Sensitivity: 2.0 mV/Pa (-54 dB)
Connectivity: 3-pin male XLR
sE8
Capsule: Dynamic
Directional Pattern: Cardioid
Frequency range: 20 Hz - 20 kHz
Impedance: 110 Ohms
Sensitivity: 25 mV/Pa (-32 dBV)
Attenuation Pad: 10 / 20dB, switchable
Low-cut filter: 80 / 160 Hz, 6 dB/Oct, switchable
Connectivity: 3-pin male XLR