About This Listing

Avantone AM Single (1) Active MixCube in Butter Cream

The Avatone Active MixCubes are powered, shielded, full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually major studios for the last 25 years.

The Avantone Active MixCubes are designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full range transducer.

Studios primarily use 2-way & 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, ipod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing.

More than twelve months of R&D, comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from those old familiar 5C Sound Cubes engineers were so fond of in the 1980's-1990's. Listening tests reveal that the Mix Cubes have a smoother midrange, more accurate, transparent top end response with extended bass while maintaining the basic characteristics of those original little cubes.

Constructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics. All cabinet edges are radiused. Elegent Polyurethane high gloss "Butter Cream" finish. 7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator. For creative mounting solutions, we recessed an industry standard 5/8"-27 mic stand mount into the base.

The paper cone (chosen for its musical character) was custom designed utilizing the latest in FEA modeling and "old-school" speaker design artistry. The finest New Zealand pulp material is blended with mica fibers for rigidity and longevity. The cloth surround material is made in Japan and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. The motor structure is made of certified 1008 low carbon steel by Sumitomo. The magnets are Y-40 GRADE (MIL-SPEC) yielding a 43 oz High-power/low-distortion motor structure. The proprietary 5.25" die-cast aluminum frame supports the driver/cone minimizing mechanical transfers. The outer mounting face of the aluminum frame is polished for an elegant appearance.



Balanced Input
This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.

System Gain
This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.

On/Off Switch
This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.

AC Input
This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location.

Ground Lift Switch
By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.

Placement
When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

Condition
Brand
Model
  • Active MixCubes (Single)
Finish
  • Cream
Categories
Made In
  • United States
Amplification
  • Active

About the Seller

Alto Music

Middletown, NY, United States
(122,271)
Joined Reverb:2014
Items Sold:214,983
Product Overview
The Avantone Active MixCubes are powered mini monitors, quite similar in design to the classic Auratone 5C Sound Cubes. Sure, it's important to have a high fidelity set of main studio monitors...but in today's world of people listening to music on bass-challenged ear buds and laptop speakers, occasionally referencing on a smaller system is crucial -- and the MixCubes are the perfect tool for this particular job. Grab a set for stereo, or just one for checking mono compatibility and finding the perfect spot for the lead vocal.
Shop 37 options from $180
Product Reviews
Avantone Single (1) Active MixCube AM in Butter Cream
Avantone Single (1) Active MixCube AM in Butter Cream
$259

About This Listing

Avantone AM Single (1) Active MixCube in Butter Cream

The Avatone Active MixCubes are powered, shielded, full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually major studios for the last 25 years.

The Avantone Active MixCubes are designed to be high resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full range transducer.

Studios primarily use 2-way & 3-way large monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in the newly developing age of High Definition Audio, there is still a need to hear what your mix will sound like when played back over small "bass-challenged" systems such as televisions, clock radios, computers, car stereos, ipod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing.

More than twelve months of R&D, comparative listening & tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from those old familiar 5C Sound Cubes engineers were so fond of in the 1980's-1990's. Listening tests reveal that the Mix Cubes have a smoother midrange, more accurate, transparent top end response with extended bass while maintaining the basic characteristics of those original little cubes.

Constructed of non-layered, high rigidity MDF board due to its natural low-resonance characteristics. All cabinet edges are radiused. Elegent Polyurethane high gloss "Butter Cream" finish. 7mm thick neoprene pad embedded into the base of the cabinet serves as a skid-resistant acoustic isolator. For creative mounting solutions, we recessed an industry standard 5/8"-27 mic stand mount into the base.

The paper cone (chosen for its musical character) was custom designed utilizing the latest in FEA modeling and "old-school" speaker design artistry. The finest New Zealand pulp material is blended with mica fibers for rigidity and longevity. The cloth surround material is made in Japan and has unique damping characteristics, enabling a predictable compliance over the lifespan of the driver. The motor structure is made of certified 1008 low carbon steel by Sumitomo. The magnets are Y-40 GRADE (MIL-SPEC) yielding a 43 oz High-power/low-distortion motor structure. The proprietary 5.25" die-cast aluminum frame supports the driver/cone minimizing mechanical transfers. The outer mounting face of the aluminum frame is polished for an elegant appearance.



Balanced Input
This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.

System Gain
This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.

On/Off Switch
This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.

AC Input
This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location.

Ground Lift Switch
By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.

Placement
When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.

Condition
Brand
Model
  • Active MixCubes (Single)
Finish
  • Cream
Categories
Made In
  • United States
Amplification
  • Active

About the Seller

Alto Music

Middletown, NY, United States
(122,271)
Joined Reverb:2014
Items Sold:214,983
Product Overview
The Avantone Active MixCubes are powered mini monitors, quite similar in design to the classic Auratone 5C Sound Cubes. Sure, it's important to have a high fidelity set of main studio monitors...but in today's world of people listening to music on bass-challenged ear buds and laptop speakers, occasionally referencing on a smaller system is crucial -- and the MixCubes are the perfect tool for this particular job. Grab a set for stereo, or just one for checking mono compatibility and finding the perfect spot for the lead vocal.
Shop 37 options from $180
Product Reviews

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