About This Listing

Another stunning Gibson Banner J-45, this one from 1943! 


This was probably someone's lifer -- it exudes that characteristic. It's palpable. The wear and care certainly suggest as much. If you're in to this stuff, know that I am, too. I am a Gibson acoustic guy, through and through. I've spent quite a bit of time getting to know this one and it is a very, very excellent-sounding guitar. It does "the thing". The first time I saw it I just thought "Damn. That's a cool one". Red Spruce top, fire stripe tortoise guard, a stunningly plain-grain set of mahogany (which is funny to say, but those who know what that means know what that means), and a mahogany neck with no truss rod. The original bridge, apparently, was gum wood and has been replaced with a hand-crafted replica from Madagascar rosewood. I think it looks great and I'm a bit of a jerk about that particular detail. The bridge plate is also a hand-crafted replica due to the original failing. It happens. If it saves the functional integrity and tone of an instrument, what's the real complaint if it's done properly? It is unreasonable to not expect structural maintenance on an 80+ year old wooden instrument, especially one that got played a lot. You'll see two top cracks that have been reglued. If someone really wanted to, I'm sure they could get Mark Stutman or someone of his caliber to make those much less visible. They don't bother me. I wanted them to bother me enough to look in to doing something about them, but I've decided I don't want to because I like this one just as it is. "Leave well enough alone" they say. I don't see any other cracks anywhere on this one. Back and sides look great, neck looks great with some honest wear. There is some heavier wear to the Brazilian rosewood fingerboard in the first few frets, but remember what I already said about being a lifer. It's had fret work -- it looks like an older fret job, could maybe stand to get another one but, again, it's really not screaming out to me. Action is very, very nice with a nominal bit of room to come down, if desired (not recommended), before a reset would be called for. Big 'ole honker of a neck with almost no taper and it feels outstanding. 


Oh, the tuners. Look at those bad boys! I've had a few Banner-era Gibson guitars that had those stock. They're just fancy covers that go over the tuners you typically see on these, but I love the extra flare. It suits that pick guard. 


I haven't seen one of these cases in a long time. They were used in the 40's and every now and again you'll see them paired with an old Gibson. It's seen better days, but it's still fairly functional. I wouldn't use it as daily transport or toss it around, but it's cool to have. You can carry the instrument around just fine inside it.


This one wants to keep making music, ladies and gentlemen. That's what it was made for.


Nut Width: 1.737"
Neck Depths: 1st - 1.04", 12th - 1.07"


All questions welcome. Additional photos on request. Worldwide shipping available with all proper licenses, permits, and documentation (CITES).

Listed25 days ago
Condition
Brand
Model
  • J-45 "Banner Logo" with Spruce Top, Maple Neck
Finish
  • Sunburst
Categories
Year
  • 1943
Made In
  • United States
Pickup
  • None
Fretboard Material
  • Rosewood
Color Family
  • Brown
String Type
  • Steel
Right / Left Handed
  • Right Handed
Number of Strings
  • 6-String
Neck Material
  • Maple
Body Shape
  • Dreadnought
Finish Pattern
  • Sunburst
Top Material
  • Spruce
Model Family
  • Gibson J-45
Series
  • Gibson Kalamazoo Factory Era
Back Material
  • Mahogany
Sides Material
  • Mahogany
Active Preamp
  • No
Number of Frets
  • 20

About the Seller

Street Legal Guitars

Austin, TX, United States
(216)
Joined Reverb:2014
Items Sold:251
Product Overview
  • Wartime production occasionally meant material shortages; while the standard J-45 has mahogany back, sides, and neck, Gibson had to replace some mahogany parts with laminated maple ones. Banner logo J-45s can be found with maple back and sides as well as maple necks. Some others were made with mahogany tops rather than spruce. Spruce shortages meant that some came out of the factory without bookmatched tops, and others came out with four-piece tops rather than the standard two.
  • Beginning in 1943, some J-45s were made with a black "skunk stripe" painted down the top. It's speculated that these stripes were either used to hide poor bookmatching due to spruce shortages, while others feel it's simply decorative.
  • In order to save metal for the war effort, some J-45 runs were produced with an ebony reinforcement bar rather than a standard truss rod. This can have an effect on the stability of the neck, and also means that the neck tension is not adjustable.
Shop 8 options from $9,500
Product Reviews
1943 Gibson Banner J-45 Sunburst w/ OSSC Excellent Tone Stunning!
1943 Gibson Banner J-45 Sunburst w/ OSSC Excellent Tone Stunning!
$13,995

About This Listing

Another stunning Gibson Banner J-45, this one from 1943! 


This was probably someone's lifer -- it exudes that characteristic. It's palpable. The wear and care certainly suggest as much. If you're in to this stuff, know that I am, too. I am a Gibson acoustic guy, through and through. I've spent quite a bit of time getting to know this one and it is a very, very excellent-sounding guitar. It does "the thing". The first time I saw it I just thought "Damn. That's a cool one". Red Spruce top, fire stripe tortoise guard, a stunningly plain-grain set of mahogany (which is funny to say, but those who know what that means know what that means), and a mahogany neck with no truss rod. The original bridge, apparently, was gum wood and has been replaced with a hand-crafted replica from Madagascar rosewood. I think it looks great and I'm a bit of a jerk about that particular detail. The bridge plate is also a hand-crafted replica due to the original failing. It happens. If it saves the functional integrity and tone of an instrument, what's the real complaint if it's done properly? It is unreasonable to not expect structural maintenance on an 80+ year old wooden instrument, especially one that got played a lot. You'll see two top cracks that have been reglued. If someone really wanted to, I'm sure they could get Mark Stutman or someone of his caliber to make those much less visible. They don't bother me. I wanted them to bother me enough to look in to doing something about them, but I've decided I don't want to because I like this one just as it is. "Leave well enough alone" they say. I don't see any other cracks anywhere on this one. Back and sides look great, neck looks great with some honest wear. There is some heavier wear to the Brazilian rosewood fingerboard in the first few frets, but remember what I already said about being a lifer. It's had fret work -- it looks like an older fret job, could maybe stand to get another one but, again, it's really not screaming out to me. Action is very, very nice with a nominal bit of room to come down, if desired (not recommended), before a reset would be called for. Big 'ole honker of a neck with almost no taper and it feels outstanding. 


Oh, the tuners. Look at those bad boys! I've had a few Banner-era Gibson guitars that had those stock. They're just fancy covers that go over the tuners you typically see on these, but I love the extra flare. It suits that pick guard. 


I haven't seen one of these cases in a long time. They were used in the 40's and every now and again you'll see them paired with an old Gibson. It's seen better days, but it's still fairly functional. I wouldn't use it as daily transport or toss it around, but it's cool to have. You can carry the instrument around just fine inside it.


This one wants to keep making music, ladies and gentlemen. That's what it was made for.


Nut Width: 1.737"
Neck Depths: 1st - 1.04", 12th - 1.07"


All questions welcome. Additional photos on request. Worldwide shipping available with all proper licenses, permits, and documentation (CITES).

Listed25 days ago
Condition
Brand
Model
  • J-45 "Banner Logo" with Spruce Top, Maple Neck
Finish
  • Sunburst
Categories
Year
  • 1943
Made In
  • United States
Pickup
  • None
Fretboard Material
  • Rosewood
Color Family
  • Brown
String Type
  • Steel
Right / Left Handed
  • Right Handed
Number of Strings
  • 6-String
Neck Material
  • Maple
Body Shape
  • Dreadnought
Finish Pattern
  • Sunburst
Top Material
  • Spruce
Model Family
  • Gibson J-45
Series
  • Gibson Kalamazoo Factory Era
Back Material
  • Mahogany
Sides Material
  • Mahogany
Active Preamp
  • No
Number of Frets
  • 20

About the Seller

Street Legal Guitars

Austin, TX, United States
(216)
Joined Reverb:2014
Items Sold:251
Product Overview
  • Wartime production occasionally meant material shortages; while the standard J-45 has mahogany back, sides, and neck, Gibson had to replace some mahogany parts with laminated maple ones. Banner logo J-45s can be found with maple back and sides as well as maple necks. Some others were made with mahogany tops rather than spruce. Spruce shortages meant that some came out of the factory without bookmatched tops, and others came out with four-piece tops rather than the standard two.
  • Beginning in 1943, some J-45s were made with a black "skunk stripe" painted down the top. It's speculated that these stripes were either used to hide poor bookmatching due to spruce shortages, while others feel it's simply decorative.
  • In order to save metal for the war effort, some J-45 runs were produced with an ebony reinforcement bar rather than a standard truss rod. This can have an effect on the stability of the neck, and also means that the neck tension is not adjustable.
Shop 8 options from $9,500
Product Reviews

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